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Showing posts with label <b>Other traditions</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Other traditions</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Tuesday, June 26, 2012</span></h2>

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<p class="MsoNormal"><span style="font-size:10.0pt;line-height:115%;font-family: &quot;Arial&quot;,&quot;sans-serif&quot;">An international poetry festival is a little like one of those lab experiments that science students are forced to perform. Take a creature that does one thing well &#8211; make art with their language &#8211; and put them into a container with other creatures who seem similar enough, but lack that one key common element &#8211; a mutual language. The possibilities are more or less obvious, and the folks in Rotterdam earlier this month were blessed with the fact that all 19 of their on-site participants&#185; were actually nice people. One of the festival officials joked that this was an &#8220;innovation&#8221; they were trying this year, and that it had not always been the case in prior years. <o:p></o:p></span></p>  <p class="MsoNormal"><span style="font-size:10.0pt;line-height:115%;font-family: &quot;Arial&quot;,&quot;sans-serif&quot;">It&#8217;s not an accurate statement that the poets lacked the same language. Eighteen of the 19 spoke at least some version of English, and four of us &#8211; Karen Solie of Canada, LK Holt of Australia, Sascha Aurora Akhtar of Pakistan &amp;amp Britain, &amp; I &#8211; use variants of it for our writing. With language, of course, history comes encrusted. <span class="GramE">When <span class="SpellE">Moosejaw</span>-born Karen Solie lists manufacturers of tractors in her work, US companies like John Deere turn up.</span> And I heard Australian Lucy Holt asked on at least one occasion if she was British<o:p></o:p></span></p> 
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<h2 class='date-header'><span>Thursday, January 13, 2011</span></h2>

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<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight: normal'><span style='font-size:14.0pt;line-height:115%;color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Contemporary Chinese Poetry<o:p></o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><a href="http://writing.upenn.edu/pennsound/x/Wuhan-Poets.php"><span style='color:black;mso-themecolor:text1;mso-no-proof:yes;text-decoration:none; text-underline:none'><img border="0" height="380" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/W7P-MeOT1sftgF7BBnpcshuekSwKkcu6HYKKCebUDli9ImVWc5Id-TpB9_I3X55NQFrLx2RZRFtfdfTnYxGy0zhcUGRUZlkSI9J2s0IqUNGSUIs%3Ds0-d" width="534"></span></a><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><o:p></o:p></span></p>
<p class=MsoNormal style='margin-left:.25in'><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>On December 9, a large delegation of poets from <a href="http://en.wikipedia.org/wiki/Wuhan"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Wuhan</span></a>, the most populous city in central China, visited <a href="http://writing.upenn.edu/wh/"><span style='color:#0D0D0D;mso-themecolor: text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Kelly Writers House</span></a> at Penn. For nearly all, this was the first visit to the U.S. These poets &#8211; </span><span style='mso-bidi-font-size:10.0pt;line-height:115%;mso-fareast-font-family:"Times New Roman"; mso-bidi-font-family:Arial;color:#0D0D0D;mso-themecolor:text1;mso-themetint: 242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Liang <span class=SpellE>Biwen</span>, Liu <span class=SpellE>Yishan</span>, Chen Ying-Song, <span class=SpellE>Tiang</span> He, Wang <span class=SpellE>Xinmin</span>, <span class=SpellE>Ke</span> <span class=SpellE>Yumin</span>, Hu Xiang &amp; Liu An &#8211; read and then had their poetry read in English by one of a team of volunteer translators: <span style='mso-spacerun:yes'> </span><a href="http://writing.upenn.edu/pennsound/x/Perelman.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Bob Perelman</span></a> , <a href="http://writing.upenn.edu/pennsound/x/Dowling.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Sarah Dowling</span></a> , <a href="http://writing.upenn.edu/pennsound/x/Taransky.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Michelle Taransky</span></a> , <a href="http://writing.upenn.edu/pennsound/x/Bernstein.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Charles Bernstein</span></a> , <a href="http://writing.upenn.edu/pennsound/x/Djanikian.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Greg Djanikian</span></a> &amp; <span class=SpellE>Yanrong</span>. <span class=SpellE>Yarong</span> is the current scholar-in-residence at the Chinese/American Association of Poetry and Poetics (<a href="http://writing.upenn.edu/news/CAAP.html"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>CAAP</span></a>). The process was then reversed, with texts by Bernstein, Dowling, Djanikian, Taransky &amp; Perelman (&#8220;China&#8221;!) translated into Chinese. <o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://writing.upenn.edu/pennsound/x/Wuhan-Poets.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Video of the entire event</span></a><o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Downloadable audio <a href="http://media.sas.upenn.edu/pennsound/groups/CAAP/Wuhan-Poets-12-9-10/Wuhan-Poets_Complete-Reading_KWH-UPenn_12-09-10.mp3"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>here</span></a><o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://media.sas.upenn.edu/pennsound/groups/CAAP/Wuhan-Poets-12-9-10/Wuhan-Poets_CAAP_12-9-10.pdf"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Complete texts in English &amp; Chinese</span></a><o:p></o:p></span></p>
<p class=MsoNormal style='margin-left:.25in'><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>In 2009, as part of its <a href="http://writing.upenn.edu/pennsound/x/Writers-Without-Borders.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Writers Without Borders</span></a> series, Writers House hosted <a href="http://writing.upenn.edu/pennsound/x/Li.php"><span class=SpellE><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Zhimin</span></span><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'> Li</span></a>, a poet who teaches at Guangzhou University (<a href="http://en.wikipedia.org/wiki/Guangzhou"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Guangzhou</span></a> is the city most Americans my age think of as Canton) &amp; sits on the CAAP board. Li gave a reading &amp; a talk on new Chinese poetry. <o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Downloadable audio of the <a href="http://media.sas.upenn.edu/pennsound/authors/Li/Li-Zhimin_Writers-Without-Borders_KWH-UPenn_02-04-09.mp3"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>full reading here</span></a><o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Downloadable audio of <a href="http://media.sas.upenn.edu/pennsound/authors/Li/WWB-02-04-09/Li-Zhimin_21_Lecture-New-Chinese-Poetry_Writers-Without-Borders_KWH-UPenn_02-04-09.mp3"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Li&#8217;s talk here</span></a><o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Text of Li&#8217;s talk &#8211; <a href="http://interlitq.org/issue10/zhimin-li/job.php"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>New Chinese Poetry: <br> The Origin &amp; Development from the Perspective<br> of Cultural Exchanges between China &amp; the West</span></a><o:p></o:p></span></p>
<p class=MsoNormal align=center style='margin-left:.25in;text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Access to segmented poems is available<br> through <a href="http://writing.upenn.edu/pennsound/x/Li.php"><span class=SpellE><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint: 242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Zhimin</span></span><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'> Li&#8217;s</span></a> page on PennSound<o:p></o:p></span></p>   
<p class=MsoPlainText align=center style='margin-bottom:10.0pt;text-align:center'><object height="385" width="480"><param name="movie" value="//www.youtube.com/v/RYruaehxVVE?fs=1&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="//www.youtube.com/v/RYruaehxVVE?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object></p>
<p class=MsoNormal align=center style='text-align:center'><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://writing.upenn.edu/news/CAAP-2011-conference-cfp.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Call for papers</span></a></span><br> First Convention of<br> The Chinese/American Association for Poetry &amp; Poetics<br> Wuhan, China<br> September 28 <span style='mso-bidi-font-size:10.0pt;line-height:115%; mso-bidi-font-family:Arial'>&#8211;</span> 30, 2011</p>
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<h2 class='date-header'><span>Friday, September 13, 2002</span></h2>

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<span style="font-family: Arial;">Of course Allen Curnow and
Gary Snyder are not precisely generational equivalents. Snyder&#8217;s first
publication, in the </span><st1:place><st1:placename><span style="font-family: Arial;">Reed</span></st1:placename><span style="font-family: Arial;"> </span><st1:placetype><span style="font-family: Arial;">College</span></st1:placetype></st1:place><span style="font-family: Arial;"> student publication <i style="mso-bidi-font-style: normal;">Janus</i>, doesn&#8217;t occur until 1950, a point at which Curnow has already
brought out at least three books. But one of the things the comparison does is
to highlight that discrepancy. The reality is that there were few innovative
American poets of significance who emerged during the 1940s. <o:p></o:p></span></div>
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<span style="font-family: Arial;">The largest exception is Robert
Duncan, who in fact first started publishing at the end of the 1930s
(precocious teenager that he was). The two other major movers of literary form
who were born during that decade between 1910 and 20 &#8211; Charles Olson and the
novelist William Burroughs &#8211; were both late bloomers. Glancing over Hayden
Carruth&#8217;s <i style="mso-bidi-font-style: normal;">The Voice That is Great <span class="GramE">Within</span> Us</i>, a surprisingly decent anthology of the first
60 years of the 20<sup>th</sup> century that organizes its poets by birth date
&#8211; now there&#8217;s a narrative! &#8211; you can&#8217;t help but notice that between the first
poet born in that decade (Olson) and the last (May Swenson), the poets who
predominate in that period &#8211; Schwartz, Berryman, Jarrell, <span class="SpellE">Kees</span>,
</span><st1:place><span style="font-family: Arial;">Stafford</span></st1:place><span style="font-family: Arial;">, Weiss and </span><st1:city><st1:place><span style="font-family: Arial;">Lowell</span></st1:place></st1:city><span style="font-family: Arial;"> &#8211; represent the core of what was the academic
tradition of American poetry. The more innovative poets of that decade,
Antoninus/Everson<span class="GramE">,<span style="mso-spacerun: yes;">&nbsp;
</span>Patchen</span>, Merton, McGrath, were all pronounced loners as writers.
Two were monks, no less.<o:p></o:p></span></div>
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<span style="font-family: Arial;">Certainly, the Second World
War created a great schism in </span><st1:country-region><st1:place><span style="font-family: Arial;">America</span></st1:place></st1:country-region><span style="font-family: Arial;">n writing, by cutting off the expatriates and the
international influences that had been so very important to the high
modernists. One might also blame the war, at least in part, for the failure of
the </span><st1:place><span style="font-family: Arial;">Ob</span></st1:place><span style="font-family: Arial;">jectivists to move beyond their first youthful burst
of publishing in the 1930s. For a talented young poet during the war years, the
conservative tradition of American letters &#8211; that version of history that sees </span><st1:country-region><st1:place><span style="font-family: Arial;">U.S.</span></st1:place></st1:country-region><span style="font-family: Arial;"> poetry as a tributary of British letters &#8211; was very
close to the only game in town. <o:p></o:p></span></div>
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<span style="font-family: Arial;">Five poets who are interesting
to look at in this regard are David Ignatow and Harvey Shapiro on the one hand
&#8211; Shapiro is slightly younger, having been born in 1924 &#8211; and, on the other,
Swenson, Elizabeth Bishop, and Muriel Rukeyser. <o:p></o:p></span></div>
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<span style="font-family: Arial;">The first two have often
been paired, and I admit to reading them as though they were examples of what
the Williams influence would have led to had Objectivism not shown its
potential for greater breadth, depth and evolution. When the New Americans came
along, Ignatow and Shapiro could easily have recognized the shared sympathies
for Williams, but seem instead to have been isolated by the sudden appearance
of all this new writing. Except for Shapiro&#8217;s first book <i style="mso-bidi-font-style: normal;">The Eye, </i>published by Alan Swallow (as far from the </span><st1:state><st1:place><span style="font-family: Arial;">New York</span></st1:place></st1:state><span style="font-family: Arial;"> publishing world as one could get in the 1950s), the
two did not begin bringing out books until the 1960s. The trajectory of their
isolation was to lead both into becoming profound conservatives, as is evident
from Shapiro&#8217;s work at the <i style="mso-bidi-font-style: normal;">New York Times
Book Review</i> and Ignatow&#8217;s comments at the &#8220;What is a Poet?&#8221; symposium at
the </span><st1:place><st1:placetype><span style="font-family: Arial;">University</span></st1:placetype><span style="font-family: Arial;"> of </span><st1:placename><span style="font-family: Arial;">Alabama</span></st1:placename></st1:place><span style="font-family: Arial;"> in 1984. (See Hank Lazer&#8217;s <span class="GramE"><i style="mso-bidi-font-style: normal;">What</i></span><i style="mso-bidi-font-style: normal;"> is a Poet?</i>)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
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<span style="font-family: Arial;">The three women poets have
often been claimed by the conservative literary tradition and to some degree at
least they must have needed to relate to that world simply to get their work
into print, not unlike Williams. But it is worth noting how all three can
easily be read quite differently: Swenson (who worked at New Directions) as
another Williams-influenced writer of innovative forms, Bishop for her visible
influence on some of the </span><st1:place><st1:placename><span style="font-family: Arial;">New York</span></st1:placename><span style="font-family: Arial;"> </span><st1:placetype><span style="font-family: Arial;">School</span></st1:placetype></st1:place><span style="font-family: Arial;"> poets, Rukeyser&#8217;s political work aligning her with a tradition that
would bridge McGrath and, say, Ginsberg and Ferlinghetti. One can only imagine
what might have happened to American poetry had the three worked together to
create a woman-centered poetic tendency decades before Judy Grahn, Pat Parker,
Susan Griffin and Adrienne Rich came along. <o:p></o:p></span></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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